Love the random cowboy model kit? James Bond, the cowboy?
Tag Archives: Graphics
old school talking cards
this thing blows talking digital cards…ok so you can’t customize the message…but you can’t say this about the digital versions:
“Put da needle on da record…”
All about the spy
a post card from Korea with a tongue in cheek message around how to report spy activity.
Crazy post cards – even pictures need context
Ok, so this is a old vintage crazy graphic. Not sure what to make of it. Even though a picture is worth a thousand words, sometimes its just a few WORDS that really shed light to the context.
Here are some captions that change the thought:
“i wish this babysitter would go home”
“don’t move, let me shoot that fly off your shoulder”
“there’s a really scary man behind you wanting to steal your rasta hat, i gotchya back”
any more???
Time Warp: June 1999
ID’s first cut at judging media in 1999.
Time Warp Is a look back to see what was going on. I’ll pick out what I feel got Stuck in Time, good or bad design that was clearly of the moment. Ahead of Time will be a look at something that had brought some insight to the future and finally, the Test of Time will soon be design classics, at least imho.
Issue of ID before the Annual is always light, not very many ads from the consultants as they we all saving their pennies for the Annual. Regardless, I was able to find a couple of nuggets.
John Maeda was making jaws drop in 1994 with Reactive Square, Flying letters and in then in 1998 with Tap, Type, Write. This stuff is still great and WAY Ahead of Time. Its a shame that it only runs on a PowerPC.
Oh, and look at young John back then!
Heres something that i used to like. The Motorola iden phone was clearly a memorable design. But does it stand the test of time? It’s Stuck. Those damned ellipses!
From ID Magazine, June 1999.
tropicana packaging
Arnell Group did the design of the new Tropicana package. Seems like a lot of people hate it, so much that Tropicana are going back to the old design. Designers like it, most of my non designer friends don’t. Tropicana went back to the old packaging stating that consumers liked to see the orange with the straw, but they still paid the consultant a lot of money to make the change.
Was this a case of consultants trying to convince the client to do something that was “designed well” and to ignore consumer sentiment? Well Tropicana agreed to change the package, at least for a while.
The clients ARE responsible for making decisions, regardless of what famous consultant is providing the advice. That’s a big part of why I’m getting a taste of being the client…I know that I have the ultimate responsibility and accountability for decisions that get made, regardless of who might be whispering in my ear.
Google Tropicana packaging, lots of passionate dialog on this.

Olympic Graphics
I’ve spoken to a few people about the Olympic graphics campaign in Chicago, the consensus, nice, but not strong enough and memorable. Chicago, Tokyo, Rio and Madrid are in the final four. Read through the meaning of each logo and cast a vote.
Tokyo: “The Tokyo 2016 logo takes the form of a traditional Japanese knot known as “MUSUBI”. It integrates the five Olympic colours into a motif of colourful and decorative knotted strings which have long been utilised in Japan to signify blessings during times of celebration.”
Madrid: “A bright and colourful open hand that, in the words of its author, represents “unity among the different cultures, people, and nationalities that coexist in Madrid.” As well as “a friendly greeting where one appreciates the freshness of Madrid and its people.”
Rio: “The Sugarloaf Mountain was chosen as a symbol, representing the natural richness of Rio de Janeiro. According to the ROCOG, the design as a whole conveys a heart shape, representing Brazilians’ passion and enthusiasm for sports.Through its mirroring effect, the symbol also forms a stylized clover.”
Chicago: “a unique six-pointed Chicago star represents a compass pointing in all directions reaching out to the world. Each point represents an Olympic value: Hope, Respect, Harmony, Friendship, Excellence and Celebration. The warm colors represent the flame and the sun, the cool colors represent the green parklands and blue waters of Lake Michigan.”

The Graphics Experience
With Experience design being the popular next thing in design, here’s some fun stuff from the world of graphics. Can graphics alone change and enhance the consumer “experience”? It certainly has a big play on our emotions, it can make you smile, feel sick, get angry…so I would say yes it does. Graphic designers, get on the experience design bandwagon. (maybe you already are!)
This bag looks like it could hurt. Great concept for this nail biter product, whatever it is.
YKM is a department store equivalent based in Turkey. They sell home furnishings/appliances and clothing. I imagine they have a line of athletic wear.
With all the homeland securtiy going on, dont go to the bank or any government agency with this one!
see more of my thoughts on “experience design” here.